You Can’t Just Say “I’m a Writer”

 

Written by Dennis Brooke, NCWA President

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During a workshop at the recent Northwest Christian Writer’s Association Renewal Conference, Kathleen Kerr, an editor at Harvest House had a very funny observation about being a writer. She told about an exercise at another conference where the speaker asked everyone to stand up and announce, “I am a writer!” They were then told to turn to the person next to them and encourage them by saying, You are a writer.”
 

During this motivational exercise she thought, “This is the only industry where you can just say you’re a writer and be one. Imagine if you stood up and said, ‘I’m a pediatric neurosurgeon’.”
 

TweetThis is the only industry where you can just say you’re a writer and be one.

 

Kathleen Kerr 3Kathleen’s point is right on—saying you’re a writer needs to be followed up with developing the craft. You wouldn’t want to roll your kid into brain surgery and find out that their neurosurgeon had just announced they were a neurosurgeon, but had no training to back it up. And frankly, you don’t want to read something written by a writer who hasn’t spent any time developing their craft.

 
TweetSaying you’re a writer needs to be followed up with developing the craft.

So how do you develop the craft? Over 150 of us were at that conference to sit in on workshops taught by Kathleen and other industry professionals. In between events like this many of us participate in critique groups and spend hours in practice.
 
Personally, I also like to read or listen to the audio version of books on the craft to get some focused guidance. And I like to ask professionals for their recommendations on books. When I asked our keynote speaker, Davis Bunn, for his recommendations I thought he might give us a couple of good ideas. But he provided three pages of fantastic resources, including an on-line master class.
 
Davis is a great writer and teacher so I was very interested to get his perspective and am glad to share them with you. Following is his annotated reading list of books on the craft. Are any of these favorites of yours? What would you add to the list? Use the comments function to answer those questions. Everyone who posts an answer by next Friday, April 25 will be entered into a drawing for a Davis Bunn novel and a half pound of Starbucks Coffee.

Dennis Brooke


Dennis Brooke
is a pre-published novelist who currently serves as the President of the Northwest Christian Writer’s Association. He has written for Focus on the Family, Toastmasters, and Combat Crew Magazines. He tells stories at http://www.dennisbrooke.com

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T. Davis Bunn’s Annotated Reading List

Davis Bunn 5

 Writing The Breakout Novel, by Donald Maas. Writer’s Digest Books

A breakout novel is one that rises out if its category – such as literary fiction, mystery, romance, or thriller – and hits the bestseller charts. Maas explains the elements that all breakout novels share and shows readers how to use these elements to write a novel that has a good chance of succeeding in a crowded marketplace. They’ll learn to: – Create a powerful and sweeping sense of time and place – Develop larger-than-life characters – Sustain a high degree of narrative tension from start to finish – Weave sub-plots into the main action – Explore universal themes that will interest a large audience

Writing the Blockbuster Novel, by Al Zuckerman. Little, Brown        

Practical, very helpful, and certainly readable. He takes a number of bestselling novels and de-constructs them to illustrate the points he’s making about plot construction, pace, characterization etc. All essential elements of novels that will sell. And he’s in a position to know these things because he is the founder and managing director of the highly successful New York literary agency, Writers House…

 Writer’s Journey: Mythic Structure for Writers by Christopher Vogler. Michael Wiese Production

In 1993, The Writer’s Journey became one of the most popular books on writing of the last 50 years, shaking up Hollywood, and becoming a best seller among writers everywhere. This new edition will reawaken established writers and inspire a new generation with fresh insights on creating great stories. An indispensable guide to the inner workings of stories, to the ancient and deep-seated patterns of emotion that speak to us through the symbolic language of myth. It applies the classic principles of Joseph Campbell’s, “The Hero’s Journey” to modern storytelling. Christopher Vogler, one of Hollywood’s most renowned story consultants and teachers, expands his vision to show how storytelling evolved from sacred rituals and how its inexhaustible powers can be adapted to the needs of modern storytellers. “The Writer’s Journey” is now the most widely used book in the movie, TV, publishing, and computer gaming industries. 

Bird by Bird: Some Instructions for Writing and Life by Anne Lamott. Anchor Books

Best Anne Lamott gives witty and wise advice on the process of writing, while offering an entertaining and inspiring take on the difficult parts of the writing life. She encourages writers to take a more non-judgmental attitude towards their own writing, particularly during the first-draft stage. Covering everything from plot to professional jealousy, Lamott’s down-to-earth approach is both comforting and encouraging.

Stein on Writing, & How To Grow A Novel by Sol Stein. Saint Martin’s Press

“The best reading experiences”, says Sol Stein, “defy interruption”. With Stein’s assistance, you can grab your reader on page one and not let go until “The End”. Stein–author of nine novels (including the best-selling The Magician) and editor to James Baldwin, W H Auden, and Lionel Trilling–offers “usable solutions” for any writing problem you might encounter. He is authoritative, commanding, and neither cheerleader nor naysayer. Instead, he rails against mediocrity and demands that you expunge it from your work. Perhaps the concept of scrutinising every modifier, every metaphor, every character trait sounds like drudgery. But with Stein’s lively guidance, it is a pleasure. Stein recommends that you brew conflict in your prose by giving your characters different “scripts”. He challenges you, in an exercise concerning voice, to write the sentence you want the world to remember you by. He uses an excerpt from E L Doctorow to demonstrate poorly written monologue and a series of Taster’s Choice commercials as an example of dialogue that works. Stein’s bottom line is that good writing must be suspenseful. Your job, says Stein, “is to give readers stress, strain, and pressure. The fact is that readers who hate those things in life love them in fiction”. 

Bestseller: Secrets of Successful Writing by Celia Brayfield. Fourth Estate

Elizabeth Buchan, The Times: “In this ambitious and fascinating book, Brayfield tackles the Zen of fiction bestsellerdom. Her premise is that stories define a puzzling world and help to defuse our more primitive fears, the most significant continuing to haunt and nourish our imaginations. This is based on a study of how myth works through cultures. From there she constructs her methods of story shaping, research, narrative techniques and, of course, style…….From the GCSE student upwards, writers and readers will enjoy this bold an illuminating tilt at unravelling the mysteries of the popular novel. Even, perhaps, the literary novelist.”
The Independent on Sunday: “Admirably thought-provoking and even profound. Books cited include Gone With the Wind, Damage, The Joy Luck Club, Scott Turow, J G Ballard, The Great Gatsby and James Bond. Best of all, she demystified writing but highlights the sheer craft.”

Story: Substance, Structure, Style by Robert McKee. Metheuen Press (trade paperback)

McKee’s work is genuinely inspiring, particularly in the audio version, which he reads himself. It’s to the point. And – although intended primarily for screen writers – it’s invaluable for anyone who thinks they have a story in them.

Perhaps we should let Bob McKee speak for himself: “When talented writers write badly it’s generally for one of two reasons: either they’re blinded by an idea that they feel compelled to prove, or they’re driven by an emotion they need to express. When talented people write well, it’s generally for this reason: they’re moved by a desire to touch an audience.”

On Writing: A Memoir of the Craft by Stephen King. Scribner

Short and snappy as it is, Stephen King’s On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. It’s a ripping yarn that casts a sharp light on his fiction. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife’s intervention, which he describes). “There’s one novel, Cujo, that I barely remember writing.”   King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer’s “tool kit”: a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft’s arcane vocabulary, Hemingway’s leanness, Grisham’s authenticity, Richard Dooling’s artful obscenity, Jonathan Kellerman’s sentence fragments.

(Dennis Brooke’s note: The Audio Version of the book is read by Stephen King himself.)

Ken Follet’s on-line Masterclass: The Art Of Suspense

Found at: http://www.ken-follett.com/masterclass/index.html

QuestionsAre any of these books on the craft favorites of yours? What would you add to the list? Use the comments function to answer those questions. Everyone who posts an answer by next Friday, April 25 will be entered into a drawing for a Davis Bunn novel and a half pound of Starbucks Coffee.

 

Davis Bunn The Turning

You can find Davis Bunn’s books in the NCWA on-line bookstore. Many of the books on the craft he mentioned are also in the bookstore. A portion of sales from the NCWA bookstore helps to fund our organizations activities.

TweetLeave a blog comment to enter a drawing for a Davis Bunn novel and Starbucks coffee.


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11 thoughts on “You Can’t Just Say “I’m a Writer”

  1. I’ve found Dennis Hensley’s books very helpful: THE FREELANCE WRITER’S HANDBOOK, by Hensley and Miller.
    WRITE ON TARGET by Hensley and Miller.
    WRITING FOR RELIGIOUS AND OTHER SPECIALTY MARKETS by Hensley and Adkins

    Liked by 1 person

  2. One of the hardest things for me to do was actually start saying, “Hi, I’m Mindy. I’m a writer.” I hadn’t published a novel. I didn’t think I qualified. However, I have taken seriously the encouragement to study the craft. I read books, attend conferences, read blog posts, follow serious writers, and participate in online learning opportunities. I’d love to be able to say, “Hi, I’m Mindy. I’m a published writer.” So I keep studying…currently I’m working through K.M. Weiland’s book, “Outlining Your Novel: Map Your Way to Success.” It has been so helpful!

    Liked by 1 person

  3. I love Bird by Bird and King’s On Writing. Others I go back to: The Courage to Write by Ralph Keyes, Ray Bradbury’s Zen in the Art of Writing (he has helpful exercises such as keeping a log of memories to write from), Self-Editing for Fiction Writers by Renni Browne and Dave King, and The Bare Bones Book of Screenwriting by J. T. Clark. I use the prep work in the last one for my novels. Very helpful.

    Liked by 2 people

    • I love the Stephen King book–especially his description of how he handled the news about the paperback sales of “Carrie.” Doc Hensley recommended the audio version narrated by Stephen himself. I need to listen to it again.

      Like

  4. An Introduction to Christian Writing by Ethel Herr was one of the first books I read on the craft o writing. It was practical, encouraging, and inspirational all at the same time. It’s especially useful if you want to write articles or devotions.

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  5. I’d love to read the Stephen King book, and all the others, too. Just have a lot of trouble stretching around all the writing, reading, and studying that needs to be done.
    I really enjoyed the conference, Dennis. Thanks to you and Judy and all the others for the hard work that had to be done to put it together so well. It was wonderful to meet
    so many Christian writers. Thanks again. Marjorie Eldred

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  6. Congrats to Judy Bodmer who won the drawing for everyone who posted an answer to our question by April 25. We drew at our meeting last night. Thanks to everyone for participating!

    Like

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